![]() As in DPLI, home audiences can switch between stereo and surround sound playback of matrix-encoded content, depending on their preference and playback systems.īut because DPLI/II-equipped A/V receivers can be found in millions of household home theaters, can CS, the new kid on the block, compete with the more established technology? One key to potential success is sound quality. It also permits flexible mixing of the LFE channel so that broadcasters can tailor the signal to the end users' needs. DPLII allows the encoding and decoding of stereo surround channels with full bandwidth, with improved channel separation and more intelligent logic steering mechanism. Subsequently, Dolby introduced its improved matrix surround technology, Dolby Pro Logic II. The well-known Dolby Pro Logic (DPLI) technology was first introduced in 1987, allowing broadcasters, via 2-channel audio delivery, to deliver surround sound audio to home users. ![]() To learn more about the operation of each system, and in particular to test the sonic performance of them, we assembled a Dolby DP563 encoder and DP564 decoder, and SRS CSE-07 encoder and CSD-07 decoder, and put them through their paces. While matrix surround systems such as Dolby Pro Logic II (DPLII) and SRS Circle Surround (CS) cannot perform as well as discrete digital systems, they are effective solutions for many broadcasters. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |